{"id":1146,"date":"2025-10-04T19:24:19","date_gmt":"2025-10-04T17:24:19","guid":{"rendered":"https:\/\/stam.mmkt.dev\/col-leccions\/daniel-dezeuze\/"},"modified":"2025-12-10T17:12:16","modified_gmt":"2025-12-10T16:12:16","slug":"daniel-dezeuze","status":"publish","type":"col-leccio","link":"https:\/\/www.fundacio-stampfli.org\/en\/collections\/daniel-dezeuze\/","title":{"rendered":"Daniel Dezeuze"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">The work<\/h3>\n\n<p class=\"wp-block-paragraph\">Charni\u00e8res du temps<br\/>(Hinges of Time)<br\/>1997<br\/>170 x 102 cm<br\/>Glycerophthalic paint on wood<\/p>\n\n<p class=\"wp-block-paragraph\">The work consists of a latticework of wooden slats similar to a lattice. Hung on the wall, we cannot ascertain the reason for the drops of pink paint that appear to have dripped from the back of the slats and remain inaccessible to the viewer. <\/p>\n\n<h3 class=\"wp-block-heading\">The artist<\/h3>\n\n<p class=\"wp-block-paragraph\"><strong>(Al\u00e8s, Occitaine, France, 1942)<\/strong><\/p>\n\n<p class=\"wp-block-paragraph\">Daniel Dezeuze was part of a group of young painters who founded Support\/Surface, a movement that emerged between 1966 and 1970 in the experimental context of the 1960s.<br\/>The artists of Support\/Surface considered that everything that formed part of the work had equal value and importance: the materials of the frame or the support on which it was painted, as well as the creative gestures and the finished work. The subject matter took a back seat.<br\/>Their works aim to be neutral and devoid of lyricism and expressive depth. As Claude Viallat, another member of the movement and whose work is included in the St\u00e4mpfli Foundation&#8217;s collection, stated: &#8220;Dezeuze painted frames without canvas and I painted canvases without frames.&#8221;  <\/p>\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"featured_media":2086,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-1146","col-leccio","type-col-leccio","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Daniel Dezeuze - Fundaci\u00f3 St\u00e4mpfli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fundacio-stampfli.org\/en\/collections\/daniel-dezeuze\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Daniel Dezeuze - Fundaci\u00f3 St\u00e4mpfli\" \/>\n<meta property=\"og:description\" content=\"The work Charni\u00e8res du temps(Hinges of Time)1997170 x 102 cmGlycerophthalic paint on wood The work consists of a latticework of wooden slats similar to a lattice. Hung on the wall, we cannot ascertain the reason for the drops of pink paint that appear to have dripped from the back of the slats and remain inaccessible...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.fundacio-stampfli.org\/en\/collections\/daniel-dezeuze\/\" \/>\n<meta property=\"og:site_name\" content=\"Fundaci\u00f3 St\u00e4mpfli\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-10T16:12:16+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.fundacio-stampfli.org\/en\/collections\/daniel-dezeuze\/\",\"url\":\"https:\/\/www.fundacio-stampfli.org\/en\/collections\/daniel-dezeuze\/\",\"name\":\"Daniel Dezeuze - Fundaci\u00f3 St\u00e4mpfli\",\"isPartOf\":{\"@id\":\"https:\/\/www.fundacio-stampfli.org\/en\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.fundacio-stampfli.org\/en\/collections\/daniel-dezeuze\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.fundacio-stampfli.org\/en\/collections\/daniel-dezeuze\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.fundacio-stampfli.org\/wp-content\/uploads\/2025\/10\/Dezeuze-scaled.webp\",\"datePublished\":\"2025-10-04T17:24:19+00:00\",\"dateModified\":\"2025-12-10T16:12:16+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.fundacio-stampfli.org\/en\/collections\/daniel-dezeuze\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.fundacio-stampfli.org\/en\/collections\/daniel-dezeuze\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.fundacio-stampfli.org\/en\/collections\/daniel-dezeuze\/#primaryimage\",\"url\":\"https:\/\/www.fundacio-stampfli.org\/wp-content\/uploads\/2025\/10\/Dezeuze-scaled.webp\",\"contentUrl\":\"https:\/\/www.fundacio-stampfli.org\/wp-content\/uploads\/2025\/10\/Dezeuze-scaled.webp\",\"width\":1588,\"height\":2560},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.fundacio-stampfli.org\/en\/collections\/daniel-dezeuze\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Inici\",\"item\":\"https:\/\/www.fundacio-stampfli.org\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Col-leccions\",\"item\":\"https:\/\/www.fundacio-stampfli.org\/en\/collections\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Daniel Dezeuze\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.fundacio-stampfli.org\/en\/#website\",\"url\":\"https:\/\/www.fundacio-stampfli.org\/en\/\",\"name\":\"Fundaci\u00f3 St\u00e4mpfli\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/www.fundacio-stampfli.org\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.fundacio-stampfli.org\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.fundacio-stampfli.org\/en\/#organization\",\"name\":\"Fundaci\u00f3 St\u00e4mpfli\",\"url\":\"https:\/\/www.fundacio-stampfli.org\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.fundacio-stampfli.org\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.fundacio-stampfli.org\/wp-content\/uploads\/2025\/07\/logo_fondo.svg\",\"contentUrl\":\"https:\/\/www.fundacio-stampfli.org\/wp-content\/uploads\/2025\/07\/logo_fondo.svg\",\"width\":100,\"height\":100,\"caption\":\"Fundaci\u00f3 St\u00e4mpfli\"},\"image\":{\"@id\":\"https:\/\/www.fundacio-stampfli.org\/en\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Daniel Dezeuze - Fundaci\u00f3 St\u00e4mpfli","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.fundacio-stampfli.org\/en\/collections\/daniel-dezeuze\/","og_locale":"en_US","og_type":"article","og_title":"Daniel Dezeuze - Fundaci\u00f3 St\u00e4mpfli","og_description":"The work Charni\u00e8res du temps(Hinges of Time)1997170 x 102 cmGlycerophthalic paint on wood The work consists of a latticework of wooden slats similar to a lattice. 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