{"id":1395,"date":"2025-10-22T12:59:20","date_gmt":"2025-10-22T10:59:20","guid":{"rendered":"https:\/\/stam.mmkt.dev\/col-leccions\/pierre-tilman\/"},"modified":"2025-12-14T17:15:50","modified_gmt":"2025-12-14T16:15:50","slug":"pierre-tilman","status":"publish","type":"col-leccio","link":"https:\/\/www.fundacio-stampfli.org\/en\/collections\/pierre-tilman\/","title":{"rendered":"Pierre Tilman"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">The work<\/h3>\n\n<p class=\"wp-block-paragraph\">Don&#8217;t argue, there will be unhappiness for everyone<br\/>2007<br\/>286 x 21 cm<br\/>Adhesive letters on Plexiglas<\/p>\n\n<p class=\"wp-block-paragraph\">Tilman&#8217;s poetry works from linguistic aphorisms and images. He uses sayings, either his own or inspired by readings of classical figures, anonymous ones, or from popular tradition.<br\/>These phrases become a unique &#8220;painting&#8221; that appears on the walls of galleries or museums. Instead of spray paint, a neat graphic where each word in a different color appears on a thin plastic plate attached to the wall. The artist&#8217;s hand is hidden in all of this, and the irony or sarcasm of the phrase&#8217;s meaning contrasts with the neatness of its elaboration.   <\/p>\n\n<h3 class=\"wp-block-heading\">The artist<\/h3>\n\n<p class=\"wp-block-paragraph\"><strong>(Salernes, France, 1944)<\/strong><br\/><br\/>Since the 1970s, Pierre Tilman has used various supports and media in his visual work. He installed small objects and figurines, soldiers, and plastic animals on wooden panels for Arranged Landscapes (1978) and The Theatre of Operations (1984). In this way, he created &#8220;situations of desire, aggression, and spectacle,&#8221; to demonstrate &#8220;that the twentieth century had truly taken a wrong turn, that reality had been wounded.&#8221; He plays with words, combining them with wooden pallets (Baguettes de bois et ruban dymo, 1982). He stages himself in series of photographs (Salud, 1991; Le singe \u00e0 l&#8217;\u0153il, 1998), takes up his poems again in other forms, in numerical prints (Po\u00e8mes trafiqu\u00e9s, 2003) or puts words on bars, on cardboard, on walls (Le mur des mots, 2006).    <\/p>\n","protected":false},"featured_media":2285,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-1395","col-leccio","type-col-leccio","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pierre Tilman - Fundaci\u00f3 St\u00e4mpfli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fundacio-stampfli.org\/en\/collections\/pierre-tilman\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pierre Tilman - Fundaci\u00f3 St\u00e4mpfli\" \/>\n<meta property=\"og:description\" content=\"The work Don&#8217;t argue, there will be unhappiness for everyone2007286 x 21 cmAdhesive letters on Plexiglas Tilman&#8217;s poetry works from linguistic aphorisms and images. 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