{"id":1622,"date":"2025-05-10T10:55:00","date_gmt":"2025-05-10T08:55:00","guid":{"rendered":"https:\/\/stam.mmkt.dev\/exposicions\/1950-peter-stampfli-before-peter-stampfli\/"},"modified":"2026-03-27T22:55:40","modified_gmt":"2026-03-27T21:55:40","slug":"1950-peter-stampfli-before-peter-stampfli","status":"publish","type":"exposicio","link":"https:\/\/www.fundacio-stampfli.org\/en\/exhibitions\/1950-peter-stampfli-before-peter-stampfli\/","title":{"rendered":"   1950-2025. Peter St\u00e4mpfli before Peter St\u00e4mpfli"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Peter St\u00e4mpfli, a young Swiss man of 26, became known in 1963 at the 3rd Paris Biennale. It was the birth of Peter St\u00e4mpfli, the artist. Thirteen years earlier, in 1950, Peter St\u00e4mpfli, a 13-year-old boy who dreamed of becoming an artist, put into practice, with gouache, the teachings he had received and his own intuitions, reproducing works by great masters of Impressionism: Sisley, Monet, C\u00e9zanne, Maurice Utrillo, among others. In these youthful exercises, his concern for positioning the lines of force and the nuclei of colour that effectively structure the composition stands out.    <\/p>\n\n<p class=\"wp-block-paragraph\">A selection of these works is exhibited in this room. One of these cardboards took on a new life. On 15 April 2019, the Cathedral of Notre-Dame in Paris was destroyed by a fire. For the publication of a book, \u00c9ditions Jannink invited the artists of Paris to offer a personal vision of the reconstruction of the Viollet-le-Duc spire and the destroyed roof. Peter St\u00e4mpfli reconstructed them with a collage on the gouache he had painted in 1950, inserting a fragment of tyre.    <\/p>\n","protected":false},"featured_media":1623,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"estat":[37],"sala":[40],"class_list":["post-1622","exposicio","type-exposicio","status-publish","has-post-thumbnail","hentry","estat-previous","sala-room-3"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>1950-2025. 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Thirteen years earlier, in 1950, Peter St\u00e4mpfli, a 13-year-old boy who dreamed of becoming an artist, put into practice, with gouache, the teachings he had received and his own...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.fundacio-stampfli.org\/en\/exhibitions\/1950-peter-stampfli-before-peter-stampfli\/\" \/>\n<meta property=\"og:site_name\" content=\"Fundaci\u00f3 St\u00e4mpfli\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-27T21:55:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.fundacio-stampfli.org\/wp-content\/uploads\/2025\/07\/Notre-Dame-de-Paris_-Guaix-sobre-cartro-1950.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"964\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.fundacio-stampfli.org\/en\/exhibitions\/1950-peter-stampfli-before-peter-stampfli\/\",\"url\":\"https:\/\/www.fundacio-stampfli.org\/en\/exhibitions\/1950-peter-stampfli-before-peter-stampfli\/\",\"name\":\"1950-2025. 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