{"id":1442,"date":"2025-10-23T21:13:49","date_gmt":"2025-10-23T19:13:49","guid":{"rendered":"https:\/\/stam.mmkt.dev\/col-leccions\/claude-viallat\/"},"modified":"2025-12-14T20:54:57","modified_gmt":"2025-12-14T19:54:57","slug":"claude-viallat","status":"publish","type":"col-leccio","link":"https:\/\/www.fundacio-stampfli.org\/es\/colecciones\/claude-viallat\/","title":{"rendered":"Claude Viallat"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">La obra<\/h3>\n\n<p class=\"wp-block-paragraph\">Sin t\u00edtulo n\u00b0 301<br\/>2007<br\/>212 x 65 cm<br\/>Acr\u00edlico sobre cortina<\/p>\n\n<p class=\"wp-block-paragraph\">Desde 1963 hasta la fecha, Viallat ha utilizado como tema \u00fanico de su creaci\u00f3n, una forma simple creada por \u00e9l que ha ido repitiendo a lo largo de los a\u00f1os.<br\/>Se trata de lo que podr\u00edamos describir como rect\u00e1ngulo \u201cblando\u201d levemente inclinado, protagonista aqu\u00ed, en color azul con margen blanco, per\u00f2 tambi\u00e9n, de manera incansable en todas y cada una de elles.<br\/>Con esta decisi\u00f3n quer\u00eda dejar de lado la b\u00fasqueda de formas dotadas de \u00absignificaci\u00f3n\u00bb.<br\/>Tambi\u00e9n desaparece el soporte de la tela tradicional. Fija el peculiar rect\u00e1ngulo sobre todo tipo de soportes \u201cencontrados\u201d: s\u00e1banas, lonas, sombrillas, vestidos, alfombras, seg\u00fan el azar de los hallazgos.<br\/>A partir de 1966 la tela cuelga libremente, sin bastidor, no s\u00f3lo en la pared sino en los techos o en cualquier superficie o espacio.<br\/>La obra de Viallat que forma parte de la colecci\u00f3n, elartista repite la misma forma, en este caso sobre una prenda de cortina recuperada ya que Viallat siempre usa materiales recuperados. La obra no tiene bastidor y cuelga directamente del muro sin tensi\u00f3n.  <\/p>\n\n<h3 class=\"wp-block-heading\">El artista<\/h3>\n\n<p class=\"wp-block-paragraph\"><strong>(Nimes, 1936)<\/strong><\/p>\n\n<p class=\"wp-block-paragraph\">Viallat cultiva una composici\u00f3n simple y \u00fanica, casi rudimentaria y de esta forma reencuentra la econom\u00eda asc\u00e9tica de los principios de la decoraci\u00f3n primitiva. Al mismo tiempo confronta dos percepciones superpuestas, la de la forma, sello de Viallat, con los de los colores y texturas de la ropa que ha escogido y que hace de soporte.<br\/>Viallat y los artistas del movimiento Support\/Surface, al que Viallat se adhiri\u00f3, pretenden que el espectador tenga presente los aspectos a los que, formando parte de la obra, generalmente no se presta atenci\u00f3n. Se trata de dar protagonismo, de forma desnuda, a cualquiera de los elementos que constituyen el hecho pict\u00f3rico.  <br\/><em>Support\/Surface <\/em>naci\u00f3 entre 1966 y 1969, en el marco experimental de la d\u00e9cada de los 60. Sus miembros, entre ellos Viallat pero tambi\u00e9n Daniel Dezeuze y Daniel Buraglio, de los que la Fundaci\u00f3n se honra de tener una obra de cada uno, conced\u00edan la misma importancia a los materiales y a los gestosque al tema.<br\/>El propio Viallat dice: \u201cDezeuze pinta bastidores sin tela y yo pinto telas sin bastidor\u201d.  <\/p>\n","protected":false},"featured_media":2276,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-1442","col-leccio","type-col-leccio","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - 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