{"id":1156,"date":"2025-10-20T13:58:08","date_gmt":"2025-10-20T11:58:08","guid":{"rendered":"https:\/\/stam.mmkt.dev\/col-leccions\/gerard-fromanger\/"},"modified":"2025-12-12T18:23:05","modified_gmt":"2025-12-12T17:23:05","slug":"gerard-fromanger","status":"publish","type":"col-leccio","link":"https:\/\/www.fundacio-stampfli.org\/fr\/collections\/gerard-fromanger\/","title":{"rendered":"G\u00e9rard Fromanger"},"content":{"rendered":"\n

L’oeuvre<\/h3>\n\n

Sans dessus dessous, t\u00eate \u00e0 t\u00eate, rouge, jaune, bleu2008200 x 150 cmAcrylique sur toile<\/p>\n\n

Le pi\u00e9ton urbain est une constante dans l’\u0153uvre de Fromanger. \u00abDans la rue \u00bb, dit-il, \u00ab je quitte ce qui m’est familier \u00e0 la maison pour entrer dans la rue o\u00f9 tout est myst\u00e9rieux, changeant et en m\u00eame temps banal. \u00bb Le tableau repr\u00e9sente un groupe de personnes se d\u00e9pla\u00e7ant comme elles le feraient dans n’importe quel espace urbain. Mais la r\u00e9f\u00e9rence spatiale a disparu, tout comme toute caract\u00e9ristique qui les individualiserait. Elles sont r\u00e9duites \u00e0 des silhouettes immobiles et monochromes d\u00e9ambulant. L’espace n’est plus qu’un fond noir.La peinture, divis\u00e9e horizontalement en deux parties sym\u00e9triques, double les images comme le ferait un miroir horizontal. Chaque silhouette est peinte d’une seule couleur primaire (cyan, magenta, jaune) ou blanche. Ces couleurs sont planes. La profondeur n’est indiqu\u00e9e que par la hauteur moindre des figures les plus \u00e9loign\u00e9es. Il existe un certain rythme dans l’ordre des couleurs.Comme l’indique le titre, il n’y a ni haut ni bas. Si nous l’inversons, seules les couleurs qui remplissent les silhouettes changent. La foule continue de se promener de haut en bas, du nord au sud, allant et venant avec d\u00e9termination vers son futur. L’espace n’est plus qu’un fond noir.Le tableau reprend le th\u00e8me classique du portrait de groupe qui marche mais, fid\u00e8le \u00e0 son id\u00e9ologie politique et sociale, il s’inscrit dans un r\u00e9cit que le spectateur est invit\u00e9 \u00e0 imaginer. <\/p>\n\n

L’artiste<\/h3>\n\n

(Jouars-Pontchartrain, France, 1939 – Paris, 2021)<\/strong><\/p>\n\n

Figure marquante de la Figuration narrative et reconnu pour son engagement politique, notamment en mai 1968, G\u00e9rard Fromanger cherche dans son \u0153uvre \u00e0 saisir l’esprit de son temps et \u00e0 actualiser les tendances dominantes de nos soci\u00e9t\u00e9s : un monde mercantile, inond\u00e9 d’images m\u00e9diatiques, qui fonctionne aujourd’hui selon le mod\u00e8le d’un r\u00e9seau informatique num\u00e9rique.Particuli\u00e8rement li\u00e9 \u00e0 des noms cl\u00e9s de la culture fran\u00e7aise, Godard, Deleuze et tant d’autres avec lesquels il a collabor\u00e9, le nom de G\u00e9rard Fromanger \u00e9voque tout un univers d’images et de r\u00e9f\u00e9rences, de th\u00e8mes et de figures : mai 68, silhouettes rouges, sc\u00e8nes de rue, photor\u00e9alisme, figuration narrative, peinture et politique.Il d\u00e9termine \u00e9galement les modalit\u00e9s plastiques de l’\u0153uvre de Fromanger : la couleur plane et sans nuances, la silhouette, le motif figuratif, la foule comme th\u00e8me r\u00e9current.<\/p>\n","protected":false},"featured_media":2388,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-1156","col-leccio","type-col-leccio","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nG\u00e9rard Fromanger - 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