{"id":1202,"date":"2025-10-21T17:28:19","date_gmt":"2025-10-21T15:28:19","guid":{"rendered":"https:\/\/stam.mmkt.dev\/col-leccions\/jean-michel-meurice\/"},"modified":"2025-12-13T14:14:21","modified_gmt":"2025-12-13T13:14:21","slug":"jean-michel-meurice","status":"publish","type":"col-leccio","link":"https:\/\/www.fundacio-stampfli.org\/fr\/collections\/jean-michel-meurice\/","title":{"rendered":"Jean-Michel Meurice"},"content":{"rendered":"\n

L’oeuvre<\/h3>\n\n

Tuscania 161990200 x 200 cmImpression \u00e0 la peinture acrylique sur toile sans ch\u00e2ssis<\/p>\n\n

Le protagonisme de cette \u0153uvre revient au dessin et \u00e0 l’empreinte de formes v\u00e9g\u00e9tales, de feuilles dessin\u00e9es ou imprim\u00e9es sur les petits rectangles de la couleur du sol, cr\u00e9\u00e9s par de subtiles bandes horizontales et verticales. Le style est aust\u00e8re, r\u00e9duit aux formes et aux lignes les plus basiques.La toile n’est pas tendue sur un ch\u00e2ssis, elle a \u00e9t\u00e9 peinte \u00e0 m\u00eame le sol. L’objet du tableau est la peinture elle-m\u00eame, \u00e0 l’exclusion de tout ce qui n’est pas strictement l’application du pinceau ou de l’outil impr\u00e9gn\u00e9 de peinture et la surface sur laquelle il est appliqu\u00e9. <\/p>\n\n

L’artiste<\/h3>\n\n

(Lille, 1938 \u2013 Paris, 2022)<\/strong><\/p>\n\n

Il se sentait tr\u00e8s proche du groupe Support\/Surface, c’est-\u00e0-dire la peinture et la toile sur laquelle elle est appliqu\u00e9e : rien de plus, dans une exploration du processus \u00e9mancipateur par lequel la peinture s’\u00e9loigne de sa fonction de repr\u00e9sentation et d’illustration, \u00ab rejet de tout ce qui n’est pas le simple m\u00e9canisme de la peinture \u00bb.La surface, \u00e0 travers les ruptures de formes et de couleurs qui se cr\u00e9ent, interdit les projections mentales ou les divagations oniriques du spectateur. La peinture est un fait en soi et c’est sur son terrain qu’elle pose probl\u00e8me. Il ne s’agit ni d’un retour aux sources ni d’une recherche de la puret\u00e9 originelle, mais d’une simple exposition des \u00e9l\u00e9ments picturaux qui constituent le fait pictural. D’o\u00f9 la neutralit\u00e9 des \u0153uvres, leur absence de lyrisme et de profondeur expressive.Il fut \u00e9galement un cin\u00e9aste documentaire de renom, inspirateur et directeur de la cha\u00eene franco-allemande TV Arte entre 1986 et 1989. <\/p>\n","protected":false},"featured_media":2118,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-1202","col-leccio","type-col-leccio","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nJean-Michel Meurice - Fundaci\u00f3 St\u00e4mpfli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fundacio-stampfli.org\/fr\/collections\/jean-michel-meurice\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jean-Michel Meurice - Fundaci\u00f3 St\u00e4mpfli\" \/>\n<meta property=\"og:description\" content=\"L’oeuvre Tuscania 161990200 x 200 cmImpression \u00e0 la peinture acrylique sur toile sans ch\u00e2ssis Le protagonisme de cette \u0153uvre revient au dessin et \u00e0 l’empreinte de formes v\u00e9g\u00e9tales, de feuilles dessin\u00e9es ou imprim\u00e9es sur les petits rectangles de la couleur du sol, cr\u00e9\u00e9s par de subtiles bandes horizontales et verticales. 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