{"id":1208,"date":"2025-10-21T17:45:56","date_gmt":"2025-10-21T15:45:56","guid":{"rendered":"https:\/\/stam.mmkt.dev\/col-leccions\/bernard-moninot\/"},"modified":"2025-12-13T14:22:16","modified_gmt":"2025-12-13T13:22:16","slug":"bernard-moninot","status":"publish","type":"col-leccio","link":"https:\/\/www.fundacio-stampfli.org\/fr\/collections\/bernard-moninot\/","title":{"rendered":"Bernard Moninot"},"content":{"rendered":"\n

L’oeuvre<\/h3>\n\n

La – La – La1994-200545 x 134,5 x 9,5 cmS\u00e9rigraphie sur verre et diapason en cristal<\/p>\n\n

Le titre fait r\u00e9f\u00e9rence \u00e0 la triple r\u00e9p\u00e9tition de la note musicale La.L’\u0153uvre se compose de trois cercles minces en verre de 4 cm de diam\u00e8tre plac\u00e9s verticalement sur un support du m\u00eame mat\u00e9riau et appuy\u00e9s contre le mur. Un diapason de la note est plac\u00e9 \u00e0 c\u00f4t\u00e9.Les trois disques sont s\u00e9rigraphi\u00e9s avec l’impression du mouvement produit par les ondes sonores du diapason.L’artiste a immobilis\u00e9, comme sur une photographie, quelque chose d’invisible et d’impossible \u00e0 saisir mat\u00e9riellement, \u00e0 savoir une note de musique. <\/p>\n\n

L’artiste<\/h3>\n\n

(Le Fay, Sa\u00f4ne-et-Loire, France, 1949)<\/strong><\/p>\n\n

Depuis ses d\u00e9buts, Bernard Moninot travaille autour de la po\u00e9tique de l’inscription, de l’empreinte, de ce que nous avons appel\u00e9 dans une autre \u0153uvre la pr\u00e9sence de l’absent. Fascin\u00e9 par la trace du mouvement, en particulier les gestes invisibles ou \u00e9ph\u00e9m\u00e8res (comme le vent, le son ou la lumi\u00e8re), il utilise des dispositifs qui enregistrent les mouvements d’objets naturels, tels que des branches ou des fils, pour g\u00e9n\u00e9rer des traits automatiques ou al\u00e9atoires.Depuis les ann\u00e9es 80, il explore les modes de repr\u00e9sentation des ph\u00e9nom\u00e8nes naturels, instantan\u00e9s, \u00e9ph\u00e9m\u00e8res et insaisissables : les taches de lumi\u00e8re du soleil, les ombres, le vent, les ondes sonores ou la poussi\u00e8re. C\u2019est une \u0153uvre d\u00e9licate et rigoureuse en recherchant le trac\u00e9 invisible du geste et de la nature, repoussant les limites du dessin pour explorer les formes de perception, de m\u00e9moire et d’enregistrement du monde, la m\u00e9moire visuelle et la relation entre nature et abstraction. Son travail oscille entre le dessin, la sculpture, l’installation et l’utilisation de mat\u00e9riaux inhabituels.Int\u00e9ress\u00e9 par le temps et les processus, nombre de ses \u0153uvres sont le r\u00e9sultat de r\u00e9alisations longues ou lentes dans lesquelles le passage du temps, comme la lumi\u00e8re du soleil, le mouvement d’une ombre ou le d\u00e9placement d’un objet, laisse une empreinte physique. Il travaille souvent avec l’id\u00e9e du temps suspendu, de la m\u00e9moire latente ou de la permanence \u00e9ph\u00e9m\u00e8re. Bien que son \u0153uvre soit profond\u00e9ment visuelle et sensible, elle comporte \u00e9galement une composante conceptuelle qui flirte avec le monde scientifique : instruments, sch\u00e9mas, observation de ph\u00e9nom\u00e8nes naturels. Il utilise souvent des mat\u00e9riaux tels que le verre, les fils, les fils m\u00e9talliques, les plumes, les filets, les miroirs ou des objets l\u00e9gers, cr\u00e9ant des structures presque immat\u00e9rielles. Cette utilisation lui permet de travailler avec la lumi\u00e8re, les ombres et la fragilit\u00e9, cr\u00e9ant une \u0153uvre qui invite \u00e0 regarder plus lentement et plus attentivement. <\/p>\n","protected":false},"featured_media":2335,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-1208","col-leccio","type-col-leccio","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nBernard Moninot - Fundaci\u00f3 St\u00e4mpfli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fundacio-stampfli.org\/fr\/collections\/bernard-moninot\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bernard Moninot - 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