{"id":1240,"date":"2025-10-21T18:14:37","date_gmt":"2025-10-21T16:14:37","guid":{"rendered":"https:\/\/stam.mmkt.dev\/col-leccions\/pavlos\/"},"modified":"2025-12-13T17:51:10","modified_gmt":"2025-12-13T16:51:10","slug":"pavlos","status":"publish","type":"col-leccio","link":"https:\/\/www.fundacio-stampfli.org\/fr\/collections\/pavlos\/","title":{"rendered":"PAVLOS"},"content":{"rendered":"\n

L’oeuvre<\/h3>\n\n

Chaussettes1969153 x 112,5 cmPapier d’affiche publicitaire et plexiglas<\/p>\n\n

Dans une vitrine verticale plate, Pavlos nous pr\u00e9sente 47 chaussettes diff\u00e9rentes, avec des bandes horizontales de couleurs, dispos\u00e9es sur trois niveaux sur un fond gris. Elles sont r\u00e9alis\u00e9es \u00e0 partir de papier imprim\u00e9 d\u00e9coup\u00e9, r\u00e9cup\u00e9r\u00e9 dans les d\u00e9chets d’imprimerie destin\u00e9s \u00e0 \u00eatre jet\u00e9s, ramass\u00e9s et recycl\u00e9s par l’auteur.L’\u0153uvre r\u00e9unit l’affiche publicitaire comme mati\u00e8re premi\u00e8re, transform\u00e9e en un objet banal de la vie quotidienne (la chaussette) et expos\u00e9e dans un conteneur en m\u00e9thacrylate \u00e0 la mani\u00e8re d’une vitrine de magasin donnant sur la rue <\/p>\n\n

L’artiste<\/h3>\n\n

(Fil\u00e0tria, Gr\u00e8ce, 1930- Ath\u00e8nes, 2019)<\/strong><\/p>\n\n

Pavlos Dionyssopoulos, connu sous le nom de Pavlos, est n\u00e9 \u00e0 Filiatra (Gr\u00e8ce) en 1930. Artiste, peintre et sculpteur, il a v\u00e9cu une grande partie de sa vie \u00e0 Paris. Ses \u0153uvres, inspir\u00e9es d’objets du quotidien, sont r\u00e9alis\u00e9es \u00e0 partir de mat\u00e9riaux de r\u00e9cup\u00e9ration, notamment le papier.Cette \u0153uvre a \u00e9t\u00e9 r\u00e9alis\u00e9e en 1969, lorsque Pavlos a rejoint, au d\u00e9but des ann\u00e9es 60, le groupe des Nouveaux R\u00e9alistes, impuls\u00e9 par le critique Pierre Restany en r\u00e9action \u00e0 l’abstraction acad\u00e9mique du Paris de l’apr\u00e8s-guerre. Plusieurs artistes ont exp\u00e9riment\u00e9 en s’appropriant la r\u00e9alit\u00e9 banale de la vie domestique ou urbaine, technologique et industrielle. Ils travaillaient avec des mat\u00e9riaux et des objets produits par l’industrie de consommation, les d\u00e9tournant de leurs fonctions initiales ou les r\u00e9cup\u00e9rant dans les d\u00e9chets. L’ironie ou le hasard sont souvent pr\u00e9sents dans les manipulations d’objets afin de proposer des exp\u00e9riences diff\u00e9rentes et d’ouvrir des possibilit\u00e9s de r\u00e9flexion sur le quotidien du spectateur. <\/p>\n","protected":false},"featured_media":2136,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-1240","col-leccio","type-col-leccio","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nPAVLOS - Fundaci\u00f3 St\u00e4mpfli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fundacio-stampfli.org\/fr\/collections\/pavlos\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PAVLOS - Fundaci\u00f3 St\u00e4mpfli\" \/>\n<meta property=\"og:description\" content=\"L’oeuvre Chaussettes1969153 x 112,5 cmPapier d’affiche publicitaire et plexiglas Dans une vitrine verticale plate, Pavlos nous pr\u00e9sente 47 chaussettes diff\u00e9rentes, avec des bandes horizontales de couleurs, dispos\u00e9es sur trois niveaux sur un fond gris. 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