{"id":1328,"date":"2025-10-22T10:02:05","date_gmt":"2025-10-22T08:02:05","guid":{"rendered":"https:\/\/stam.mmkt.dev\/col-leccions\/antonio-segui\/"},"modified":"2025-12-14T11:58:06","modified_gmt":"2025-12-14T10:58:06","slug":"antonio-segui","status":"publish","type":"col-leccio","link":"https:\/\/www.fundacio-stampfli.org\/fr\/collections\/antonio-segui\/","title":{"rendered":"Antonio Segu\u00ed"},"content":{"rendered":"\n

L’oeuvre<\/h3>\n\n

Las Rubias al sol (Les blondes au soleil)2006110 x 220 cmAcrylique sur toile<\/p>\n\n

Las Rubias al sol est organis\u00e9e comme un triptyque peupl\u00e9 d’innombrables personnages propres au langage des magazines humoristiques ou pour enfants, tous similaires, presque identiques. La partie centrale, aussi large que les deux parties lat\u00e9rales r\u00e9unies, a un fond clair et color\u00e9 sur lequel les personnages, presque tous de profil, marchent activement \u00e0 droite et \u00e0 gauche. Sur les deux parties lat\u00e9rales, la couleur est sombre, nocturne, sans \u00e9clairage.Tous sont des personnages masculins en costume et cravate, certains avec un chapeau ou une moustache, \u00e0 l’exception de quelques figures f\u00e9minines aux cheveux clairs, les blondes auxquelles le titre fait r\u00e9f\u00e9rence.Dans toute son \u0153uvre, le protagoniste est un personnage invent\u00e9 par Segu\u00ed, M. Gustavo, un personnage sombre, en costume et chapeau, qui est le double de l’artiste. <\/p>\n\n

L’artiste<\/h3>\n\n

(Cordoue, Argentine, 1934 \u2013 Buenos Aires, 2022)<\/strong><\/p>\n\n

D\u00e8s son plus jeune \u00e2ge, Segu\u00ed a montr\u00e9 un lien avec la culture vibrante et le climat politique de son pays. Il a rapidement trouv\u00e9 sa v\u00e9ritable vocation dans le monde de l’art. Sa passion l’a conduit \u00e0 Buenos Aires, o\u00f9 il a \u00e9tudi\u00e9 \u00e0 l’\u00c9cole nationale des beaux-arts. Il a poursuivi sa formation \u00e0 l’Acad\u00e9mie de San Fernando \u00e0 Madrid et \u00e0 l’\u00c9cole des beaux-arts de Paris, o\u00f9 il a \u00e9t\u00e9 influenc\u00e9 par divers styles artistiques, notamment ceux de Fernand L\u00e9ger et Diego Rivera.En 1958, il entreprend un long voyage \u00e0 travers l’Am\u00e9rique du Sud et l’Am\u00e9rique centrale, avant de s’installer finalement au Mexique, o\u00f9 il \u00e9tudie diverses techniques de gravure. En 1963, il s’installe d\u00e9finitivement \u00e0 Paris, o\u00f9 il vit et travaille jusqu’\u00e0 sa mort en 2022.Son style a \u00e9volu\u00e9 de l’expressionnisme satirique vers l’absurde, cr\u00e9ant des sc\u00e8nes th\u00e9\u00e2trales o\u00f9 les personnages cherchent leur place dans le monde. M. Gustavo, un personnage r\u00e9current, symbolise l’habitant urbain moderne. La production de Segu\u00ed est connue pour ses visions satiriques et critiques de la vie urbaine, souvent repr\u00e9sent\u00e9es dans un langage visuel vibrant et comique.Dans les ann\u00e9es 60 et 70, il a cr\u00e9\u00e9 des \u0153uvres expressionnistes et satiriques refl\u00e9tant l’histoire politique et sociologique de l’Am\u00e9rique du Sud. Ses peintures autobiographiques de la fin des ann\u00e9es 70 incluent des th\u00e8mes tels que des paysages, des sc\u00e8nes parisiennes et des paysages urbains de New York. Son exploration de la vie urbaine \u00e0 travers un prisme satirique a influenc\u00e9 des artistes qui combinent l’art et la critique sociale. Segu\u00ed a \u00e9galement men\u00e9 une carri\u00e8re importante dans la conception de d\u00e9cors, collaborant avec des personnalit\u00e9s telles que Giorgio Strehler et concevant des d\u00e9cors pour le Teatro Scala de Milan jusqu’\u00e0 la fin des ann\u00e9es 80. \u00c0 Arcueil, pr\u00e8s de Paris, o\u00f9 il vivait, il a continu\u00e9 \u00e0 cr\u00e9er et \u00e0 influencer le monde de l’art jusqu’\u00e0 sa mort. <\/p>\n","protected":false},"featured_media":2309,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-1328","col-leccio","type-col-leccio","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nAntonio Segu\u00ed - Fundaci\u00f3 St\u00e4mpfli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fundacio-stampfli.org\/fr\/collections\/antonio-segui\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Antonio Segu\u00ed - Fundaci\u00f3 St\u00e4mpfli\" \/>\n<meta property=\"og:description\" content=\"L’oeuvre Las Rubias al sol (Les blondes au soleil)2006110 x 220 cmAcrylique sur toile Las Rubias al sol est organis\u00e9e comme un triptyque peupl\u00e9 d’innombrables personnages propres au langage des magazines humoristiques ou pour enfants, tous similaires, presque identiques. 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