{"id":1353,"date":"2025-10-21T11:47:04","date_gmt":"2025-10-21T09:47:04","guid":{"rendered":"https:\/\/stam.mmkt.dev\/col-leccions\/philippe-cazal\/"},"modified":"2025-12-14T13:06:15","modified_gmt":"2025-12-14T12:06:15","slug":"philippe-cazal","status":"publish","type":"col-leccio","link":"https:\/\/www.fundacio-stampfli.org\/fr\/collections\/philippe-cazal\/","title":{"rendered":"Philippe Cazal"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Les \u0153uvres<\/h3>\n\n<p class=\"wp-block-paragraph\">DESORDRES \/ DES ORDRES<br\/>2009<br\/>Diptyque, \u0153uvre multiple en 3 exemplaires (n\u00b01)<br\/>80 x 80 x 0,15 cm chaque feuille<br\/>2 feuilles de plastique rouge et noir, d\u00e9coup\u00e9es au laser<\/p>\n\n<p class=\"wp-block-paragraph\">En fran\u00e7ais, les mots \u00ab d\u00e9sordres \u00bb et \u00ab d\u00e9s ordres \u00bb se confondent phon\u00e9tiquement car ils se prononcent de mani\u00e8re identique. Leur signification est antagoniste : d\u00e9sordres et ordres. Et leurs r\u00e9sultats aussi, les d\u00e9sordres pulv\u00e9risent les ordres.<br\/>Le fait de placer ces deux mots l&rsquo;un \u00e0 c\u00f4t\u00e9 de l&rsquo;autre souligne leur proximit\u00e9 s\u00e9mantique, mais aussi la distance sociale qui les s\u00e9pare.<br\/>Les couleurs noir et rouge, propres \u00e0 l&rsquo;anarchisme traditionnel, des feuilles de plastique utilis\u00e9es comme support en n\u00e9gatif ne sont pas choisies au hasard.  <\/p>\n\n<p class=\"wp-block-paragraph\">Les jeux de mots dans la tradition litt\u00e9raire fran\u00e7aise englobent diverses techniques et formes d&rsquo;expression qui utilisent le langage de mani\u00e8re ludique et cr\u00e9ative.<br\/>Ils peuvent aller de simples jeux de mots \u00e0 des structures plus complexes, comme les contraintes litt\u00e9raires du groupe Oulipo, OUvroir de LItt\u00e9rature POtentielle, ou les jeux de langage dans des \u0153uvres sp\u00e9cifiques. Ils servent souvent \u00e0 divertir, \u00e0 enrichir le sens, \u00e0 cr\u00e9er des effets comiques ou po\u00e9tiques et surtout \u00e0 remettre en question le langage lui-m\u00eame.  <\/p>\n\n<p class=\"wp-block-paragraph\">LA SOLITUDE DE LA PENS\u00c9E<br\/>2009<br\/>120 x 80 x 1,5 cm<br\/>Feuille de plastique blanc d\u00e9coup\u00e9e au laser<\/p>\n\n<p class=\"wp-block-paragraph\">La r\u00e9f\u00e9rence \u00e0 la solitude de l&rsquo;acte de penser, indissociable de l&rsquo;\u00eatre humain, est d\u00e9j\u00e0 un classique dans les r\u00e9flexions philosophiques \u00e0 travers l&rsquo;histoire : Platon, Nietzsche, Schopenhauer, par exemple.<br\/>Cazal ajoute une autre dimension visuelle : les mots d\u00e9coup\u00e9s dans du plastique blanc et plac\u00e9s sur le mur blanc du mus\u00e9e, de la galerie d&rsquo;art ou de la salle d&rsquo;un collectionneur, disparaissent presque, deviennent invisibles, accentuant ainsi la solitude dont parle l&rsquo;artiste. <\/p>\n\n<h3 class=\"wp-block-heading\">L&rsquo;artiste<\/h3>\n\n<p class=\"wp-block-paragraph\"><strong>(La Redorte, France, 1948)<\/strong><\/p>\n\n<p class=\"wp-block-paragraph\">L&rsquo;une des formes les plus cultiv\u00e9es a \u00e9t\u00e9 celle qui consiste \u00e0 jouer sur la similitude sonore de deux expressions ou mots ayant des significations diff\u00e9rentes. Depuis Raymond Roussel, en passant par les revues satiriques de la fin du XIXe si\u00e8cle et Alphonse Allais, Raymon Queneau ou Georges Perec comme exemples du XXe si\u00e8cle, cette tradition est arriv\u00e9e \u00e0 l&rsquo;art \u00e0 travers le surr\u00e9alisme, le dada\u00efsme et le groupe significativement appel\u00e9 Lettrisme, dont diff\u00e9rentes branches ont \u00e9merg\u00e9. Isidore Isou fut l&rsquo;un des cr\u00e9ateurs phares dont se sont s\u00e9par\u00e9s plusieurs po\u00e8tes et artistes tels que Raymond Hains, Jacques Vilegl\u00e9 ou Fran\u00e7ois Dufr\u00eane, entre autres.   <\/p>\n\n<p class=\"wp-block-paragraph\">Apr\u00e8s avoir \u00e9tudi\u00e9 \u00e0 l&rsquo;\u00c9cole nationale sup\u00e9rieure des arts d\u00e9coratifs de Paris jusqu&rsquo;en 1973, Phillipe Cazal a cr\u00e9\u00e9 des ensembles d&rsquo;objets inspir\u00e9s de la ville, de la culture, des probl\u00e8mes sociaux, de l&rsquo;\u00e9conomie, de la politique, de la po\u00e9sie et de la position de l&rsquo;artiste contemporain dans la ville. Tous r\u00e9sonnent comme un diagnostic et un sympt\u00f4me social.<br\/>Tr\u00e8s sensible aux changements de son \u00e9poque, il a depuis longtemps cess\u00e9 de se limiter aux disciplines traditionnelles des beaux-arts pour embrasser d&rsquo;autres domaines cr\u00e9atifs (mode, publicit\u00e9, communication, marketing, etc.), absorbant les caract\u00e9ristiques de son \u00e9poque pour mieux la refl\u00e9ter et la contrebalancer.<br\/>Depuis 1984, il se pr\u00e9sente comme un \u00ab artiste publicitaire \u00bb, transforme son nom en logo et d\u00e9veloppe son \u00ab image de marque \u00bb en subvertissant les codes du monde du marketing et de la publicit\u00e9. <\/p>\n","protected":false},"featured_media":2055,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-1353","col-leccio","type-col-leccio","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Philippe Cazal - Fundaci\u00f3 St\u00e4mpfli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fundacio-stampfli.org\/fr\/collections\/philippe-cazal\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Philippe Cazal - Fundaci\u00f3 St\u00e4mpfli\" \/>\n<meta property=\"og:description\" content=\"Les \u0153uvres DESORDRES \/ DES ORDRES2009Diptyque, \u0153uvre multiple en 3 exemplaires (n\u00b01)80 x 80 x 0,15 cm chaque feuille2 feuilles de plastique rouge et noir, d\u00e9coup\u00e9es au laser En fran\u00e7ais, les mots \u00ab d\u00e9sordres \u00bb et \u00ab d\u00e9s ordres \u00bb se confondent phon\u00e9tiquement car ils se prononcent de mani\u00e8re identique. 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