{"id":1369,"date":"2025-10-20T12:55:41","date_gmt":"2025-10-20T10:55:41","guid":{"rendered":"https:\/\/stam.mmkt.dev\/col-leccions\/richard-di-rosa\/"},"modified":"2026-02-03T19:28:54","modified_gmt":"2026-02-03T18:28:54","slug":"richard-di-rosa","status":"publish","type":"col-leccio","link":"https:\/\/www.fundacio-stampfli.org\/fr\/collections\/richard-di-rosa\/","title":{"rendered":"Richard di Rosa"},"content":{"rendered":"\n

L’oeuvre<\/h3>\n\n

Cactus jaune2005Polyester110 x 45 x 35 cm<\/p>\n\n

Le cactus jaune, une pi\u00e8ce en polyester, appartient davantage \u00e0 l’univers de la bande dessin\u00e9e ou du dessin anim\u00e9 qu’\u00e0 celui de la vie quotidienne, en parfaite harmonie avec sa carri\u00e8re, \u00e9troitement li\u00e9e \u00e0 celle de son fr\u00e8re Herv\u00e9. La libert\u00e9 figurative qui marque sa carri\u00e8re souligne sa conviction que l’art doit \u00eatre modeste, sans pr\u00e9tention, et faire partie de la vie des gens ordinaires. <\/p>\n\n

L’artiste<\/h3>\n\n

(S\u00e8te, Fran\u00e7a, 1963)<\/strong><\/p>\n\n

N\u00e9 \u00e0 S\u00e8te, en France, en 1963, il vit et travaille \u00e0 Paris. Richard, surnomm\u00e9 Buddy, di Rosa \u00e9tudie le piano et la batterie au Conservatoire de S\u00e8te, puis cr\u00e9e avec Robert Combas et Ketty Brindel le groupe Les D\u00e9mod\u00e9s. En 1982, il part \u00e0 Paris pour retrouver son fr\u00e8re, le peintre Herv\u00e9 di Rosa, et donne du volume aux personnages qu’il a cr\u00e9\u00e9s.\u00c0 cette \u00e9poque, Buddy est int\u00e9gr\u00e9 au mouvement de la Figuration Libre et sa premi\u00e8re exposition a lieu en 1982. Avec Herv\u00e9, il fonde en 1986 la Dirosarl, une entreprise qui produit des objets \u00ab cr\u00e9\u00e9s pour la vie quotidienne \u00bb, c’est-\u00e0-dire de l’art appliqu\u00e9.\u00c0 partir de 1990, ils les vendent dans leur galerie-boutique parisienne \u00ab L’Art Modeste \u00bb, puis les exposent au Mus\u00e9e international d’Art Modeste (MIAM) qu’ils fondent \u00e0 S\u00e8te en 2000.\u00c0 ses d\u00e9buts, Buddy di Rosa cr\u00e9e des installations avec son fr\u00e8re. Ils cr\u00e9ent les Ren\u00e9s, des personnages qui deviennent les h\u00e9ros d’une bande dessin\u00e9e. Dans le cadre de l’Art Modeste, il travaille le coquillage, cr\u00e9e des vases en m\u00e9tal color\u00e9, un bestiaire, des petits personnages et des objets de mobilier. Plus tard, il invente des machines \u00e0 objets, d’\u00e9tranges cr\u00e9atures avec des bouches et des yeux pro\u00e9minents (Dodo bronze, 2007). Il est paradigmatique de l’art de Buddy, le paradoxe du dod\u00f3, la peluche qui aide les plus petits enfants \u00e0 s’endormir, mais fait en bronze.Il fait ce qu’il consid\u00e8re comme de l’Art Modeste, mais qui, selon lui, est de l’art v\u00e9ritable, beau, simplement pour les gens, pour les peuples. De l’art pour tous, des sensations presque sans prix mais qui parlent de choses qui ont une valeur. <\/p>\n\n

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