{"id":1422,"date":"2025-10-23T19:53:50","date_gmt":"2025-10-23T17:53:50","guid":{"rendered":"https:\/\/stam.mmkt.dev\/col-leccions\/kim-tschang-yeul\/"},"modified":"2025-12-14T18:11:59","modified_gmt":"2025-12-14T17:11:59","slug":"kim-tschang-yeul","status":"publish","type":"col-leccio","link":"https:\/\/www.fundacio-stampfli.org\/fr\/collections\/kim-tschang-yeul\/","title":{"rendered":"Kim Tschang-Yeul"},"content":{"rendered":"\n

L’oeuvre<\/h3>\n\n

R\u00e9currence2008162 x 130 cmAcrylique et huile sur toile<\/p>\n\n

L’\u0153uvre, Recurrence, r\u00e9p\u00e9tition insistante, est un exemple du th\u00e8me qui a occup\u00e9 l’activit\u00e9 de Kim Tschang-Yeul de 1970 jusqu’\u00e0 la fin de sa vie en 2021. Ce th\u00e8me est celui de la goutte d’eau.Si nous nous arr\u00eatons pour contempler attentivement le tableau, nous pouvons voir trois motifs superpos\u00e9s comme des couches. Chacun d’eux repr\u00e9sente une p\u00e9riode de sa vie. Au fond, la calligraphie orientale, au-dessus, l’expressionnisme abstrait qui l’a fascin\u00e9 lorsqu’il a \u00e9migr\u00e9 aux \u00c9tats-Unis. Au premier plan, les gouttes d’eau qui tombent en diagonale de droite \u00e0 gauche. <\/p>\n\n

L’artiste<\/h3>\n\n

(Maing San, Corea del Nord,1929 – Se\u00fcl, Corea del Sud, 2021)<\/strong><\/p>\n\n

im Tschang-Yeul (1929-2021) est l’un des artistes cor\u00e9ens les plus reconnus internationalement, notamment pour sa peinture singuli\u00e8re sur les gouttes d’eau. Son \u0153uvre peut \u00eatre comprise comme une synth\u00e8se po\u00e9tique et philosophique entre l’abstraction occidentale et la tradition spirituelle et calligraphique orientale. La goutte d’eau : motif central et obsessionnel. \u00c0 partir des ann\u00e9es 1970, Kim s’est consacr\u00e9 presque exclusivement \u00e0 la repr\u00e9sentation de gouttes d’eau hyperr\u00e9alistes sur des fonds de papier, de tissu ou de surfaces comportant des caract\u00e8res chinois. Ces gouttes ne sont pas de simples repr\u00e9sentations naturelles, mais des symboles de m\u00e9ditation, \u00e9ph\u00e9m\u00e8res, fragiles et puissants \u00e0 la fois. Une mani\u00e8re de se lib\u00e9rer de soi, une pratique \u00e0 la fois spirituelle et artistique. Sa peinture est profond\u00e9ment impr\u00e9gn\u00e9e de pens\u00e9e zen et tao\u00efste. La goutte peut \u00eatre comprise comme une m\u00e9taphore de l’impermanence, du vide, de la puret\u00e9 et de l’instant pr\u00e9sent. Il existe \u00e9galement une dimension de connaissance de soi et de lib\u00e9ration : peindre une goutte est pour lui un acte de purification \u00e9motionnelle. Il a longtemps v\u00e9cu et travaill\u00e9 \u00e0 Paris, o\u00f9 il a \u00e9t\u00e9 influenc\u00e9 par des mouvements occidentaux tels que l’hyperr\u00e9alisme, l’abstraction lyrique et l’art conceptuel. Cependant, il n’a jamais renonc\u00e9 \u00e0 son h\u00e9ritage cor\u00e9en : la calligraphie, le confucianisme, le symbolisme naturel et le minimalisme oriental. Cette fusion donne naissance \u00e0 une \u0153uvre hybride et unique, dont l’identit\u00e9 est marqu\u00e9e par la tension entre pr\u00e9sence et absence, figure et fond, action et contemplation. La r\u00e9p\u00e9tition du m\u00eame motif (la goutte) au fil des d\u00e9cennies n’est pas monotone, mais rituelle. Cette r\u00e9p\u00e9tition – cette r\u00e9currence – renvoie \u00e0 l’esth\u00e9tique de la m\u00e9ditation, \u00e0 l’art comme discipline spirituelle et \u00e0 une conception non lin\u00e9aire du temps.Kim joue avec la perception visuelle : ses gouttes semblent r\u00e9elles, humides, tridimensionnelles, mais ce n’est que de la peinture. Cette illusion d’optique sert \u00e0 \u00e9veiller la conscience du spectateur : elle l’oblige \u00e0 s’arr\u00eater, \u00e0 observer et \u00e0 entrer dans un espace de contemplation. <\/p>\n","protected":false},"featured_media":2187,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-1422","col-leccio","type-col-leccio","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nKim Tschang-Yeul - Fundaci\u00f3 St\u00e4mpfli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fundacio-stampfli.org\/fr\/collections\/kim-tschang-yeul\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kim Tschang-Yeul - Fundaci\u00f3 St\u00e4mpfli\" \/>\n<meta property=\"og:description\" content=\"L’oeuvre R\u00e9currence2008162 x 130 cmAcrylique et huile sur toile L’\u0153uvre, Recurrence, r\u00e9p\u00e9tition insistante, est un exemple du th\u00e8me qui a occup\u00e9 l’activit\u00e9 de Kim Tschang-Yeul de 1970 jusqu’\u00e0 la fin de sa vie en 2021. 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