{"id":1440,"date":"2025-10-23T21:13:49","date_gmt":"2025-10-23T19:13:49","guid":{"rendered":"https:\/\/stam.mmkt.dev\/col-leccions\/claude-viallat\/"},"modified":"2025-12-14T20:52:10","modified_gmt":"2025-12-14T19:52:10","slug":"claude-viallat","status":"publish","type":"col-leccio","link":"https:\/\/www.fundacio-stampfli.org\/fr\/collections\/claude-viallat\/","title":{"rendered":"Claude Viallat"},"content":{"rendered":"\n

L’oeuvre<\/h3>\n\n

Sans titre n\u00b0 3012007212 x 65 cmAcrylique sur rideau<\/p>\n\n

Depuis 1963, Viallat utilise comme th\u00e8me unique de sa cr\u00e9ation une forme simple qu’il a lui-m\u00eame cr\u00e9\u00e9e et qu’il r\u00e9p\u00e8te au fil des ans.Il s’agit de ce que l’on pourrait d\u00e9crire comme un rectangle \u00ab mou \u00bb l\u00e9g\u00e8rement inclin\u00e9, protagoniste ici, de couleur bleue avec une marge blanche, mais \u00e9galement pr\u00e9sent de mani\u00e8re inlassable dans chacune de ses \u0153uvres.Par ce choix, il souhaitait abandonner la recherche de formes dot\u00e9es de \u00ab signification \u00bb.Le support traditionnel de la toile dispara\u00eet \u00e9galement. Il fixe ce rectangle particulier sur toutes sortes de supports \u00ab trouv\u00e9s \u00bb : draps, toiles, parapluies, robes, tapis, au gr\u00e9 de ses trouvailles.\u00c0 partir de 1966, la toile est suspendue librement, sans ch\u00e2ssis, non seulement au mur, mais aussi au plafond ou sur n’importe quelle surface ou espace.Dans l’\u0153uvre de Viallat qui fait partie de la collection, l’artiste r\u00e9p\u00e8te la m\u00eame forme, dans ce cas sur un morceau de rideau r\u00e9cup\u00e9r\u00e9, car Viallat utilise toujours des mat\u00e9riaux de r\u00e9cup\u00e9ration. L’\u0153uvre n’a pas de ch\u00e2ssis et est suspendue directement au mur sans tension. <\/p>\n\n

L’artiste<\/h3>\n\n

(Nimes, 1936)<\/strong><\/p>\n\n

Viallat cultive une composition simple et unique, presque rudimentaire, et retrouve ainsi l’\u00e9conomie asc\u00e9tique des principes de la d\u00e9coration primitive. En m\u00eame temps, il confronte deux perceptions superpos\u00e9es, celle de la forme, marque de fabrique de Viallat, et celle des couleurs et des textures des v\u00eatements qu’il a choisis et qui lui servent de support.Viallat et les artistes du mouvement Support\/Surface, auquel Viallat a adh\u00e9r\u00e9, veulent que le spectateur prenne conscience des aspects qui, faisant partie de l’\u0153uvre, ne retiennent g\u00e9n\u00e9ralement pas l’attention. Il s’agit de mettre en avant, de mani\u00e8re brute, tous les \u00e9l\u00e9ments qui constituent le fait pictural. Support\/Surface <\/em>est n\u00e9 entre 1966 et 1969, dans le contexte exp\u00e9rimental des ann\u00e9es 60. Ses membres, parmi lesquels Viallat mais aussi Daniel Dezeuze et Daniel Buraglio, dont la Fondation a l’honneur de poss\u00e9der une \u0153uvre de chacun, accordaient la m\u00eame importance aux mat\u00e9riaux et aux gestes qu’au sujet.Viallat lui-m\u00eame d\u00e9clare, Dezeuze peint des ch\u00e2ssis sans toile et je peins des toiles sans ch\u00e2ssis. <\/p>\n","protected":false},"featured_media":2275,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-1440","col-leccio","type-col-leccio","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nClaude Viallat - 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